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MAGPIE LANE - Three Quarter Time |
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It seems as though Oxford’s Magpie Lane has been around forever, and yet they still have much to contribute, for every so often they produce another CD that delivers a fresh collection trawled from the traditional English dance tune and song repertoire. CD number nine is a case in point, being a further quintessential expression of Englishness and musical and vocal excellence. Magpie Lane is a very fortunate group, for it boasts among its five-piece ranks not only a healthy spread of instrumental expertise (anglo concertina, fiddle, cello, whistle, bouzouki, guitars, banjo, mandolin and percussion) but also no fewer than four distinctive lead singers; all these elements are deployed imaginatively and with great success. As indeed are the guest musicians – including Jackie Oates, Paul Sartin, John Spiers and Jan Morter – who flesh out the texture at strategic points. The group specialises in unearthing little-known material and presenting unfamiliar versions of songs, and here the biggest surprise for many listeners will probably be the quite melancholy, slowed-down 3/4-time version of Rout Of The Blues done to a melody I’d not previously encountered. This, I hasten to add, does not mean that the entire disc consists of music written in, or arranged into, three-quarter-time – although, to be fair, that variety of time-signature does figure in a number of the 13 selections – Lovely Elwina, New Garden Fields, Andy Shanks & Jim Russell’s The Dancing … and the delicious coda to The Captain And His Whiskers, Sophie Thurman’s account of which arises out of a boisterous morris-style instrumental introit. Another surprise is that the rather jolly Dance Around The Gallows Tree is not a traditional broadside but an original composition by Ian Giles; its fabulous display of vocal layerings is continued on into the following track, the broadside Blow Ye Winds. If you want a demonstration of just how vibrant, alive and feelgood English music can be, conveying the Spirit Of The Dance while maintaining a firm and respectful grip on the traditions it upholds, then you need look no further than this exhilarating disc. Its one and only failing is purely cosmetic – the unhelpful colour scheme for the rear-cover tracklist renders it virtually unreadable. www.magpielane.co.uk David Kidman
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